recently took a trip to Tulum and used it everywhere we traveled. It was able to fit alongside my carryon and was super lightweight. Definitely recommend.

If the security of your digital camera is important to you, I recommend you consider purchasing this strap. Let me make a premise right away, I have always believed that the original shoulder straps are the best ever, but after a bad personal experience I can assure you that this is not always the case... This one from K&F Concept is Delivered in a beautiful premium box in gold and silver. I immediately noticed it because the thickness of 3 cm is plenty and it also allows the length to be adjusted from 100 to 160 cm. With its weight of 130 grams, it can carry up to 36 kilograms, a load that cannot be achieved with any combination of SLR and TELE LENS. I can wear it in three ways: classic on the NECK, DIAGONALLY from the shoulder to the opposite side and directly on the single SHOULDER. The WEBBING is made of 100% nylon with synthetic polymers, it's practically the same material as car seat belts... and I've said it all! The HOOKS are made of METAL, are 3 mm thick and not plastic like conventional shoulder straps. Paired with high quality leather with double stitching. In addition, most of the original shoulder straps cannot be easily removed. So I'll let you imagine how inconvenient it is to attach the SLRs to the tripod (or monopod) every time, so most of the time it's best to leave them hanging on the camera, which is dangling and annoying. This one, on the other hand, has two comfortable BUCKLES that allow it to be opened quickly. They are made of a resistant and unbreakable material, stealth nylon. They are released in 3 steps and with the help of both hands, so you can be more than calm, it is impossible for them to come off accidentally (in my video I tried to pull them repeatedly). And finally, the CABLE that needs to be attached to the camera loops is covered with 3 layers, each of which has its own color. It is always good to check the condition of use and color. The outside is BLACK to indicate the excellent maintenance condition, the second inner layer is YELLOW indicating the risk of breakage and finally the last inside is RED indicating the impending breakage of the shoulder strap. In summary, I can say that the choice of shoulder strap is very personal. It's certainly not cheap, but thanks to the opportunity presented, I can trust you that I had no problem running some stress tests. I PULLED, PULLED and MASSED it in virtually every way before entrusting it to my work SLRs, both combined with two lenses (L-series) of significant weight. I tried it on both the Canon 5D with 24-70 f2.8 and the huge “white” mammoth Canon 1D + 70-200 f2.8. Knowing the models and weights of this device, you can be sure that all MIRRORLES (objective) can be entrusted to this shoulder strap. However, I found a DEFECT... but only if we decide to use the shoulder strap in the classic way, namely on the NECK. Unfortunately, since it doesn't have a soft lining, it can strain your neck after a few minutes, especially if you're using heavy equipment. It is therefore enough to change position frequently and perhaps move it over your shoulder. It's a shame because it cost very little to be the PERFECT SHOULDER BAG for my needs. If you find it at a discount, perhaps with a coupon, it turns out to be a good deal!

The clips to release the camera from the straps are very sturdy, but otherwise the strap is nice

Delivery time was faster than I expected, received them after a week from New Zealand. I love the packing style which brings to customers a professional attitude. Thank you for that and I will buy more products later on. :D

Hello, the adapter should be used with manual lenses from the analog era, logically. On an Olympus E-PL7, I was curious about the usability and above all the achievable image quality. Since of course there is no electronic data exchange between the camera, lens and lens adapter, the camera or the image stabilizer should/can be set first to prevent camera shake Reduce. To do this, press the OK button, bring the image stabilizer to the desired setting. Then simply press the Info button and set the originally used focal length at the bottom right and you're done. The lenses came, to name just two, the Olympus G-Zuiko 1:3.5/28mm and the telephoto lens Olympus E-Zuiko 1: 4.0/200 mm. Of course, these are also used analogously on an Olympus OM-4 Ti. The adapter is well made and makes a solid impression. However, he has a slight lateral play on the bayonet. I guess less than a millimeter. But this doesn't affect the focusing at all, at least not with my lenses. I've experienced other things, and even without an adapter solution. So nothing earth-shattering, especially not at this low price. Of course it will then the camera, with the adapter and, for example, a G-Zuiko 3.5 28mm no case more suitable for jackets, and at almost 630 grams also heavier than, for example, with the Lumix 1:1.7 25mm at almost 490 grams. I like this Lumix, no question about it, but compared to the G-Zuiko 3.5 28mm, it seems to be attached to the camera, I would say "less high quality". If you have problems with manual focusing on an E-PL7, for example, I can recommend the Olympus VF-4 attachable viewfinder. The thing is great, so it can be adjusted well without a sectional image and/or microprism ring, as is the case in many analog cameras. Of course, focus peaking can also be used, but this function must then be assigned a button in the menu, e.g. the Fn button for quick access. The test JPEG photos I uploaded are all unprocessed and show quite good sharpness, colors and contrasts. My conclusion: Recommended and inexpensive adapter solution, but also with a slight tolerance on the bayonet.

ordered this adapter to use my old, manual Pentax lenses (e.g. SMC M 40 1.7) on my new Olympus OM-D E-M10 II. The lenses work perfectly with this adapter on my camera. The adapter fits tightly and without play in the camera mount on the Olympus and snaps in securely. No crunching or scratching when screwing in. The PK lenses can also be screwed in without any problems, but have a little rotational play. There is no light anywhere and there is no rattling or wobbling. Therefore, a perfect function is guaranteed. Unfortunately, the red dot for attaching the adapter to the camera is offset by about 2mm and is therefore only a rough guide. You get used to this very quickly. The workmanship is neat and the adapter is made entirely of aluminum - makes a solid impression! Overall I would give 4 stars. Because of the top price I give it an extra star. I can give a clear buy recommendation for the price of only €17!

You can also use the hood with this adapter with NEW non-locking FD mount lenses. After attaching the lens to the adapter, if you turn the LOCK-OPEN ring on the adapter to LOCK, the aperture stop will move in accordance with the aperture ring on the lens. The same applies to FD mount lenses, which have a locking mechanism. It is therefore an adapter that can be used with aperture both for FD and NEW FD whether there is a locking mechanism or not.

I like the adapter very much. It fits perfectly on my Olympus MFT camera and is solidly made. Now I can at least use the "ancient" lenses including filters and other lenses manually again.